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Subscription to the fifth EASTAP Conference in Milan 2022, for regular members |
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Journal
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European Journal of Theatre and Performance - N° 5 |
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Material Memories: Choreographing Documental Bodies |
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Fotografare l’Antico: Memoria, profezia ed eredità di Isadora Duncan negli apparati visivi dei libri postumi |
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The Mask as a Performative Object: History, Anthropology, and Political Theatre |
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Addressing ‘the Cultural Level of an Average European’ (Kafka) |
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SCHOLAR IN FOCUS – RICHARD SCHECHNER |
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FROM THE ARCHIVES – Theatre Censorship and Archival Research: Teatro Experimental de Cascais during the Portuguese Dictatorship |
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BOOK REVIEWS (issue 5) |
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L’Odéon est ouvert !!! Theatrical Activism in Paris 1968 and 2021 |
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European Journal of Theatre and Performance - N° 4 |
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The Performative Dimension of Anti-Speciesism Activism: Essere Animali and Anonymous for the Voiceless |
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Reappropriation of Public Space: Autonomous Space Making from Istanbul’s Alternative Theatre Scene to the Gezi Movement |
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From Repertoires of Resistance to Monuments of Absence |
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Patria, God, and Guns: An Analysis of Brazilian Right-Wing Street Protests from 2013 to 2021 |
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Theatrical Assemblies and their Discontents: Representation and Resentment in the Light of a Pandemic |
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Performing Gendered Disaster Nationalism and its Feminist Resistance in China during the Covid-19 Pandemic |
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The Red Flag and Other Signs: Reconstructing Socialist Identity in Protest as Performance |
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ARTIST IN FOCUS – PHIA MÉNARD & COMPAGNIE NON NOVA |
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BOOK REVIEWS (issue 4) |
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FROM THE ARCHIVES – The Emergence of Contemporary Dance in Yugoslavia: Dalija A?in (1995-1999) |
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European Journal of Theatre and Performance - N° 1 |
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La face larvée de l’Europe : Breivik’s Statement de Milo Rau |
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Singular Plural Theatre: Representation, Identity Politics and Appropriation in Contemporary Theatre and Theory after Brecht and Marx |
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Alle soglie d’Europa: Il Good Chance Theatre e la sperimentazione di linguaggi performativi nei centri di prima accoglienza e nei campi per rifugiati |
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Lemon Juicer Merkel: Where the Real and the Fictional Europe Meet. Exploring Thomas Bellinck’s Domo de Europa Historio en Ekzilo |
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The Politics of Humour and Nostalgia in Dutch Cabaret |
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The ‘Easthetics’ of the NSK |
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The Paradoxes of Kosovo in the Theatre of Jeton Neziraj |
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Roots and Routes: Kingston-upon-Hull-upon-Stage During UK City of Culture 2017 |
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Form and Politics: An Introduction to the Theatre of Milo Rau |
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Tribunal is another word for Tragedy |
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Créer avec Milo Rau |
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The Ghent Manifesto |
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Enlightened Catastrophism |
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Portfolio |
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The Skeleton: Edward Gordon Craig’s contribution to post-dramatic playwriting |
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The Skeleton – A mystery |
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Skeleton Epilogue 1 |
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Skeleton Epilogue 2 |
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Bernátek, Martin, et. al., Czech Theatre Photography |
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Fitzpatrick, Lisa, Rape on the Contemporary Stage |
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Heinrich, Anselm, Theatre in Europe under German Occupation |
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Klimczyk, Wojciech, Wirus mobilizacji. 1-2 |
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Puchner, Walter, Folk Theatre Studies ?-II |
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Talon-Hugon, Carole, Le Conflit des héritages. Avignon 2005 |
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Theatre Theory Reader. Prague School Writings |
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Wilmer, S. E., Performing Statelessness in Europe |
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Xepapadakou, Avra, Pavlos Carrer |
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Yamomo, MeLê, Theatre and Music in Manila and the Asia Pacific |
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European Journal of Theatre and Performance - N° 6 |
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Flowing Liquids behind Solid Facades: Water in Nineteenth-Century Stage Technology |
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Fluidity of Feeling: Water, Gender, and the Political Potential of In-difference in Travis Alabanza’s Overflow |
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We Are all Bodies of Water: Su Rita Nata?lio, Idrofemminismo e Spillover |
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Getting our Flowers Now: Ageing Trans and Queer Bodies in Gardenia (2010) and Gardenia – 10 Years Later (2021) |
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Lo Spettatore Convertito: Metamorfosi del Corpo Umano nella Performance La Plaza |
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A Fluid Aesthetics of Audience Participation |
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ARTIST IN FOCUS - CONSTANZA MACRAS AND DORKYPARK |
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FROM THE ARCHIVES - "Cross-Dressing as Resistance in Communist Romania" & "Female Travesty Was So Dangerous that One Could Pay with One’s Life for It" |
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BOOK REVIEWS (issue 6) |
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European Journal of Theatre and Performance - N° 7 |
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Russian Theatre in Exile: On Diasporic Intimacy, Guilt of Compassion, and Anti-War Protest |
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Representation of War on the Regional Puppet Stage: A Case Study of the Military Repertoire of L' Théât' Louis (Roubaix, France) |
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Schizodramaturgy: On the Phenomenology of the Future in Tetsuo Kogawa's Airwaves-art (2023) |
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Encountering Rabelais During a Midnight Walk |
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SCHOLAR IN FOCUS – LOLA PROAÑO GÓMEZ |
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FROM THE ARCHIVES – What is the Purpose of the Theatre Museum? |
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BOOK REVIEWS (issue 7) |
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