Links
Basque country
ARTEKALE STREET ARTS ASSOCIATION OF THE BASQUE COUNTRY
www.artekale.org
info@artekale.org
Belgium
Open Street AISBL
http://www.open-street.eu
France
Association nationale des Théâtres de Marionnettes et Arts associés (THEMAA)
http://www.themaa-marionnettes.com
Association Européenne des Conservatoires, Académies de Musique et Musikhochschulen (AEC)
https://www.aec-music.eu
Union des theatres de l’Europe (UTE)
http://www.union-theatres-europe.eu/UNIQ151116881029535/home
Germany
BUNDESVERBAND THEATER IM ÖFFENTLICHEN RAUM E.V.
www.theater-im-oeffentlichen-raum.de
b.meyer@theater-im-oeffentlichen-raum.de
Italy
International Network of Italian Theatre (INIT)
http://www.init.org.uk
A.de-Martino-Cappuccio@warwick.ac.uk
Alta Formazione Artistica, Musicale e Coreutica (AFAM)
http://www.afam.miur.it
Associazione Nazionale Arti Perfomative (ANAP)
http://www.artiperformative.it
info@artiperformative.it
Coordinamento nazionale di teatro in carcere (CNTiC)
https://www.teatroaenigma.it
Director Vito Minoia
info@teatroaenigma.it
Federazione Nazionale Artisti di Strada (FNAS)
info@fnas.org
Unione Italiana Libero Teatro (UILT)
http://www.uilt.it/associazione.html
Portugal
Federação Portuguesa de Teatro
www.fpteatro.pt
Instituto Nacional de las artes escenica y de la musica (INAEM)
http://www.mecd.gob.es/cultura-mecd/areas-cultura/artesescenicas/portada.html;jsessionid=595998FA95D5FCDAFAE61AC7AB4E255E
Slovakia
Vysoká škola múzických umení Bratislave (VSMU) The Academy of Performing Arts in Bratislava Bratislave
http://www.vsmu.sk
Spain
Asociation Autoras y autores de teatro (AAT)
http://aat.es
Centro Dramatico Nacional (CDN)
http://cdn.mcu.e
United Kingdom
British Association for Contemporary Literary Studies (BACLS)
bacls.whn@gmail.com
British Art Council
http://www.artscouncil.org.uk
Theatre and Performance Research Network (TaPRA)
http://tapra.org
The Society for Theatre Research
www.str.org.uk
Victoria & Albert Museum London
Department of Theatre & Performance
https://www.vam.ac.uk/collections/theatre-performance
English
SCUDD www.scudd.org.uk/list
French
Dramatica dramatica@groupes.renater.fr
http://www.fabula.org/actualites-soumettre.php
Italian
Consulta Universitaria del Teatro (CUT)
simona.brunetti17@gmail.com
United Kingdom
School of Performance and Media Production
York St John University
c.heinemeyer@yorksj.ac.uk
College of Arts, Technology & Innovation
University of East London
Dr Sheila Preston
Head of department
S.Preston@uel.ac.uk
Guildford School of Acting
University of Surrey
Director of Research Professor Robert Shaughnessy
Peter M Boenisch | Professor of European Theatre | University of Kent
Head of Drama & Theatre | Director, European Theatre Research Network (ETRN)
P.M.Boenisch@kent.ac.uk | Web: http://www.kent.ac.uk/arts/
Research Institute for Media, Arts and Performance
University of Bedfordshire
https://www.beds.ac.uk/rimap/about
School of Performing Arts – Faculty of Arts
University of Huddersfield
https://research.hud.ac.uk/ourstaff/profile/index.php?staffid=1249
College of Liberal Arts
Bath Spa University
www.bathspa.ac.uk
Department of Drama, Theatre & Performance
University of Roehampton
www.roehampton.ac.uk
Faculty of Creative Industries
University of South Wales
http://www.southwales.ac.uk/business/creative-industries/
School of Languages, Cultures and Societies & Centre for World Literatures
University of Leeds
https://www.leeds.ac.uk/arts/info/125234/centre_for_world_literatures
The Martin Harris Centre for Music and Drama
The University of Manchester
https://www.martinharriscentre.manchester.ac.uk
Brunel University London
College of Business, Arts and Social Sciences
Brunel University London
www.brunel.ac.uk
Department of Drama
University of Exeter
http://humanities.exeter.ac.uk/drama/
White Rose College of the Arts and Humanities (WRoCAH)
Department of Theatre, Film & Television
University of York
https://www.york.ac.uk/tftv/
FRANCE
Université Paris 3
Institut d’études théâtrales (IET)
http://www.univ-paris3.fr/departement-institut-d-etudes-theatrales-iet–18433.kjsp
Université Paris 8
Labex Arts-H2H
http://www.labex-arts-h2h.fr/?lang=fr
Université Paris 7
Centre d’Études et de Recherches Interdisciplinaires en Lettres Arts Cinéma
http://ufrlac.lac.univ-paris-diderot.fr/CERILAC/
POLAND
University of Arts in Poznań
http://www.asp.poznan.pl/en_index.html
NORWAY
Department of Linguistic, Literary and Aesthetic Studies
University of Bergen
http://www.uib.no/en/rg/theatre
Department of Art and Media,
Drama and Theatre,
Norwegian Technological University,
NTNU,Trondheim, Norway
PORTUGAL
Mestrado em Artes Cénicas (MAC)
Universidade Nova de Lisboa
http://fcsh.unl.pt/ensino/mestrados/artes-cenicas
Spain
Aula de Teatro da USC
http://www.usc.es/index.html
Ref. Roberto SALGUEIRO Santiago de Compostela
Italy
Accademia di Belle Arti di Brera
https://www.accademiadibrera.milano.it
The International University Theatre Association (IUTA)
http://aitu-iuta.org
The International Federation for Theatre Research (IFTR)
https://www.iftr.org/contact
Union des theatres d’Europe (UTE)
http://www.union-theatres-europe.eu/UNIQ151569161127376/home
Theatre in progress -Association pour la recherche et la création en lien avec la technologie
http://theatreinprogress.ch
Consciousness, Literature & The Arts
CLA is an interdisciplinary journal that aims to relate literature and the arts to the exploration of consciousness. The journal publishes both scholarly and creative work, and publishes three to four times annually.
Didaskalia: Ancient Theatre Today
Didaskalia publishes papers on the topic of Ancient Theatre from both historical and contemporary perspectives
e-misférica: Performance and Politics in the Americas
e-misférica is the online journal of the Hemispheric Institute. This biannual publication explores the uses of and interrelations between performance and politics in the Americas and is published in Spanish, Portugese and English.
InTensions is an interdisciplinary journal published biannually by the department of Fine Arts Cultural Studies at the University of York in Toronto, Canada. The journal aims to compile work by scholars and artists whose works deal with the theatricality of power, corporealities of structural violence, and sensory regimes.
Liminalities: A Journal of Performance Studies
Liminalities aims to expand opportunities to share peer-reviewed work, to publish multimedia texts and projects that could otherwise be difficult to circulate, and to make work internationally accessible. The journal is published three or four times annually.
New Zealand Journal of Research in Performance Arts and Education: Nga Mahi a Rehia
This journal aims to support the publication and development of New Zealand research on drama, music and dance in education and to contribute a NZ perspective to international dialogues in the discipline of performance studies.
Nordic Theatre Studies is the only English language peer-reviewed journal for scholars writing on all aspects of Nordic and Baltic theatre and performance, and for Nordic and Baltic scholars to present their research to the world. The journal is published biannually.
Perfformio is based at the Centre for Performance and Literature, Swansea Metropolitan University. The journal publishes papers by academics and practitioners of the performing arts and allied disciplines twice annually.
Performance Paradigm: A Journal of Performance and Contemporary Culture
Performance Paradigm is an interdisciplinary journal of theatre and the performance arts published annually in themed issues.
Platform is a performing arts journal aiming to publish high quality articles by postgraduates and early-career academics. The journal accepts both academic and practice-based papers, and is published twice per year.
Popular Entertainment Studies is an e-journal based at the University of Newcastle, Australia, and publishes two issues each year. The journal aims to stimulate debate and dialogue in the broad field of popular entertainment studies, and invites papers from a wide variety of disciplines.
Scenario is a bilingual (English & German) publication that examines the role of drama and theatre in language education. The journal is published twice yearly and is based at University College Cork, Ireland.
Now fully digital – with instant on line access to four decades of reviews
For nearly forty years, Theatre Record has chronicled the British stage through its ongoing cumulation of the reviews of the leading national critics. Published fortnightly, it has established itself as the essential reference for anyone wanting in-depth information on UK productions and their makers, from the West End to the Fringe and beyond to regional theatres all over the country. It is read worldwide and treasured by researchers and students, actors and agents, producers and directors, theatregoers and enthusiasts, not least by the critics themselves.
Having offered a digital subscription for the first time in 2018, the Record will be going fully digital in 2019. This does not mean an end to printed versions – see below – but it does mean that all subscribers will in future be able to enjoy many more features of the new-style journal at no extra cost.
From today, anyone who takes out a subscription for next year will gain entrance, from the moment they join, to the Record’s complete archive – nearly four decades of unabridged national newspaper reviews, cast lists, technical credits and photographs of productions in London and throughout Britain. They will be able to search on line for a favourite production or director and reach the reviews they want in seconds. Subscribers will also have daily access to the Record’s listings of future productions as they are updated, the most comprehensive available anywhere. Where reviews for productions in the listings already exist, these too can be downloaded at a click. The Record’s pattern offortnightly editions will continue, enhanced with more photographs and more reviews. After years of annoyingly slow delivery, the journal can return to giving readers immediate access to complete show reviews justtwo weeks after the opening of the last production in each issue.
How can this be done? By giving readers access to the new-style digital issues the moment they are completed. All they have to do then is push a button to download them in printable page form. By becoming their own printer, subscribers cut out all the delays of postal delivery.
Anyone wanting to subscribe to the new, improved Theatre Record has only to go to the new website, www.theatrerecord.com, and request a trial. On payment of the 2019 subscription, they will have immediate access to the Record’s existing volumes and the daily listings. All subscribers will also be offered a year’s free subscription (worth £25) to doollee.com, the running database of over 190,000 modern plays.
To subscribe to Theatre Record or to request a free evaluation trial please email Julian Oddy editor@theatrerecord.com. We accept payment via PayPal, major credit/debit cards, cheque, and BACS. 2019 prices are per annum and include VAT where applicable.
THEATRE RECORD – Prices for 2019:
Payment may be made by Paypal, major credit/debit cards, cheque and BACS
VAT is charged on GBP payments.
Personal Subscriptions
| £ 49 UK customers only | $ 300 USA, Rest of World | € 275 Europe |
Subscriptions for Institutions We offer institutional subscribers to Theatre Record multiple access authenticated by IP addresses, OpenAthens, EzProxy or Shiboleth.
| £ 350 UK customers only | $ 500 USA, Rest of World | € 400 Europe |
All enquiries to the Record’s editor and publisher, Julian Oddy: editor@theatrerecord.com
Odradek. Studies in Philosophy of Literature, Aesthetics and New Media Theories
https://odradek.cfs.unipi.it/index.php/odradek
Colloque L’acteur face aux écrans/ Acting confronted by technologies, Paris Sorbonne-Nouvelle/UQÀM, juin 2015
https://www.youtube.com/watch?v=DhVWnViUNPk&t=6s
Festival of Emergent European theatre in Paris, Theatre de Menilmontant, 3-8 July 2018
Description
For more informations, visit : www.revesdavantlaubefest.com or dreamsfest.weebly.com
Malta Arts Festival
Malta
http://www.maltaartsfestival.org
Tallinn Winter Festival
Estonia
Festival Parallèle
Marseille -France
http://www.plateformeparallele.com/festival-parallele/archives/2017/edito
UKREP / TAKING MEASURES, Festival of Dance Perpectives
Ljubljana
http://ptl.si/jibdatobl9tpnrdc9pfxqg00rrx76c
In Between Time
Bristol -UK
Jonge Harten Theater Festival
Netherlands
http://www.jongeharten.nl
Internationaal Deventer Op Stelten Buiten-Theater-Festival
Netherlands
https://www.deventeropstelten.nl
KYPRIA International Festival
Cyprus- Greece
http://kypria.org.cy
Abu Dhabi Festival
United Arab Emirates
http://www.abudhabifestival.ae
Belgrade Irish Festival
Serbia
http://www.irishfest.rs/home/
International Theatre Festival Slavija
Serbia
http://www.pozoriste-slavija.co.rs
Berliner Festspiele
Germany
https://www.berlinerfestspiele.de/de/aktuell/festivals/berlinerfestspiele/ueber_uns_bfs/aktuell_bfs/start.php
PERFORMATIK
Belgium
https://www.kaaitheater.be/nl/agenda/performatik-19
FAKS – Festival of Amateur Cultural Creation
Croatia
http://www.maistra.com/Things_to_do/Faks
https://www.routledge.com/performance/products/SCAR3005
https://www.entretemps.org/38-theatre
http://mimesisedizioni.it/libri/arti/filosofie-del-teatro.html
http://www.cambridge.org/browse/browse_highlights.asp?subjectid=1013323
MODERN DRAMA, Special Issue: Migration and Multilingualism, Volume 61, Number 3, Fall 2018. Guest Editors Yana Meerzon, Katharina Pewny, Gunther Martens, and Alex Ferrone https://muse.jhu.edu/issue/38987
Christian Biet & Christophe Triau, What is the Theatre? https://www.routledge.com/What-is-the-Theatre/Biet-Triau/p/book/9781138701656