III EASTAP CONFERENCE : PROGRAM

III EASTAP CONFERENCE : PROGRAM

EUROPEAN ASSOCIATION FOR THE
STUDY
OF THEATRE AND PERFORMANCE

Creating for The Stage
And Other Spaces:
Questioning Practices and Theories


EVENT CANCELLED


BOLOGNA
27/28/29 FEBRUARY, 1 MARCH

ARENA DEL SOLE THEATRE
DAMSLAB – LA SOFFITTA

CURATORS

Claudio Longhi, Daniele Vianello

ADVISORY BOARD

Antonio Araujo (University of San Paolo)
Christopher Balme (Ludwig-Maximilians-Universität München)
Maria João Brilhante (University of Lisbon)
Chloé Déchery (Université de Paris 8)
Josette Féral (University of Quebec / University of Sorbonne Nouvelle Paris 3)
Clare Finburgh Delijani (Goldsmiths, University of London)
Gerardo Guccini (Alma Mater Studiorum University of Bologna)
Stefan Hulfeld (University of Vienna)
Lorenzo Mango (University of Naples)
Aldo Milohnić (University of Ljubljana)
Elena Randi (University of Padua)
Anneli Saro (University of Tartu)
Diana Taylor (New York University)
Gabriele Vacis (Cattolica University of Milan)
Piermario Vescovo (“Ca’ Foscari” University of Venezia)

ORGANIZING COMMITTEE

Claudio Longhi – Daniele Vianello – Gerardo Guccini (Co-organizer)

Silvia Cassanelli, Valentina Falorni, Licia Ferrari, Viviana Gardi, Stefania Lodi
Rizzini, Giulia Maurigh, Rossella Mazzaglia, Debora Pietrobono, Martina
Sottana, Angelo Vassalli

ADMINISTRATIVE OFFICE

Angelo Vassalli (Director)
Licia Ferrari, Francesco Vaira

eastap.com
emiliaromagnateatro.com/en/conference-eastap
eastapconference.bologna2020@gmail.com

Download PDF version of this program from here:
Programme_III EASTAP Conference

PROGRAM

 

26 FEBRUARY

RIDOTTO DEI PALCHI, STORCHI THEATRE, MODENA

19:30 – 21:00
Social Aperitif


27 FEBRUARY

ARENA DEL SOLE THEATRE

8:30 – 10:00
FOYER
Registration and Welcome Coffee

10:00 – 11-00
SALA DE BERARDINIS
OPENING SESSION

Matteo Lepore – Councilor for Culture
Chiara Elefante – Vice Rector for Human Resources, Alma Mater Studiorum – University of Bologna
Giacomo Manzoli – Head of Department of the Arts, Alma Mater Studiorum – University of Bologna
Josette Féral – EASTAP President
Daniele Vianello – EASTAP Vice-President
Claudio Longhi – Emilia Romagna Teatro Fondazione Artistic Director
Gerardo Guccini – La Soffitta Scientific Coordinator
Lorenzo Mango – CUT (Consulta Universitaria del Teatro) President

11:00 – 12:00
SALA DE BERARDINIS / plenary session
EASTAP Award Ceremony: Rustom Bharucha – Theater Director and Dramaturg,
India

Chair: Josette Féral

12:00 – 13:00
SALA DE BERARDINIS / plenary session
FC Bergman – TheatreCompany and Associate Artists of the III EASTAP Conference, Belgium

The Poetic of Vision

Chair: Claudio Longhi

13:00 – 13:30
SALA DE BERARDINIS / plenary session
Presentation of Young Scholars’ Forum

13:30 – 14:45
FOYER
Lunch
A light lunch will be provided in the theatre foyer

PANELS

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SALA DE BERARDINIS

EXPERIENCES OF DOCUMENTARY THEATRE
• Pierre Katuszewski
Des théâtres documentés: écritures et pratiques, jeu, réception et traces
• Erica Magris
«Teatri nomadi»: forme teatrali documentarie e processi compositivi
transnazionali
• Varvara Sklez
Performing Memories of The Distant Past: Between Practice and Research

Chair: Gerardo Guccini

 

SALA SALMON

ROUND TABLE
CREATING A JOURNAL: THE ROLE OF THE EUROPEAN JOURNAL OF THEATRE
AND PERFORMANCE WITHIN AND BEYOND EASTAP
Josette Féral – Publishing Director
Agata Łuksza and Luk Van den Dries – Editors-in-Chief
Sophie Lucet – Co-editor Essays Section issue 2
Timmy De Laet – Managing Editor
Lorenzo Mango, Aldo Milohnić and Daniele Vianello – Editorial Board Members

 

SALA ARCHI

PRESENTATION OF PON-METRO PROJECT
It Shall Be So! The City We Want: Social Inclusion through Theatre in the National
Operational Programme on Metropolitan Cities 2014-2020
Veronica Ceruti – Municipality of Bologna
Luca Gadler – Emilia Romagna Teatro Fondazione
Stefania Paolazzi – Urban Innovation Foundation
It Shall Be So! The City We Want, a project by the Municipality of Bologna, produced by Emilia
Romagna Teatro Fondazione, funded by the European Union – European Social Fund, in the context of
the National Operational Programme on Metropolitan Cities 2014-2020

 

SALA VETRI

TEXTUALITY PRACTICES BEYOND THE THEATRICAL SPACE
Chloé Déchery
Ce que la conférence fait à la performance: un état des lieux sur la conférence
performée, essai d’écriture scénique hybride
Doriana Legge
“La messa in ascolto”: forme e pratiche della scrittura teatrale per la radio
Marta Marchetti
Il lettore in gioco. “The Quiet Volume” di Tim Etchells e Ant Hampton

Chair: Martynas Petrikas

 

SALA BIANCA

THE THEATRE OF ROBOTS
Matteo Casari
Il nō dei robot: l’artificio e l’empatia
Izabella Pluta
Lorsqu’un robot raconte une histoire. Texte et programmation dans “La Vallée de
l’étrange” de Stefan Kaegi
Cinzia Toscano
Riflessioni e pratiche: la multiforme varietà del teatro dei robot

Chair: Gabriele Sofia

 

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[accordion-item title=”16:00 – 16:30″]

COFFEE BREAK

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[accordion-item title=”16:30 – 17:45″]

SALA DE BERARDINIS

PARTICIPATORY PARADIGMS
Giacomo Pedini
“Eppur si move”: Stage-Writings for spectators or with players?
Maria de Lourdes Rabetti
The Dramaturg’s Mediation from Stage to City: cariocas experiments
Carmen Pedullà
The Role of the Spectator in Participatory Theatre: A Proposal for a Theoretical Model

Chair: Lorenzo Mango

 

SALA SALMON

THINKING DANCE
Elena Cervellati
Testi da e per la danza. Pratica e teoria nel Manifesto 1992. Danza come arte contemporanea.
Timmy De Laet
The Textuality of Dance: From Movement to Document toward Historiography
Giulia Taddeo
The Age of Anxiety? Choreographing Youthfulness at the Time of the Italian
“Economic Miracle”

Chair: Susanne Franco

 

SALA ARCHI

THE TWENTIETH CENTURY AND BEYOND: INVESTIGATION INTO ITALIAN
DRAMATURGY
Roberta Carpani
La committenza e la composizione del testo nel XXI secolo: tre performances di
Laura Curino sulla storia industriale italiana
Paolo Pizzimento
La “Divina Commedia” dal testo alla pratica scenica: l’esperienza del “Cantiere
Dante”
Dario Tomasello
“Micro-società”, “Intra-teatralità”, “Nuovo terzo mondo”: dinamiche creative nella
drammaturgia italiana novecentesca

Chair: Martina Sottana

 

SALA VETRI

Rosa Branca Figueiredo
Creating for the Stage: How Translation Functions in Trans-porting Meaning
across Cultures/Languages
Maddalena Giovannelli
Un autore in sala prove: il traduttore
Margherita Laera
Babel as Utopia? Practicing Multilingualism in the European Rehearsal Room

Chair: Andy Lavender

 

SALA BIANCA

HYBRID FORMS OF STAGE CREATION
Shintaro Fujii
Spectacle japonais contemporain à l’heure de la «reprise» et du «reenactment»
Véronique Perruchon and Nadia Moroz Luciani
Les concepts de Théâtralité et Performativité de la lumière dans le théâtre
contemporain européen et brésilien
Filippo Romanello
Theatrical Composition beyond Representation

Chair: Marcela Moura

 

FOYER 1ST FLOOR

YOUNG SCHOLARS’ FORUM:
POSTER PRESENTATION, 1ST SESSION
CONTEMPORARY DRAMATURGIES & INTERMEDIAL PERSPECTIVES

Curators: Jeroen Coppens and Stefania Lodi Rizzini

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[accordion-item title=”18:00 – 19:00″]

SALA DE BERARDINIS / plenary session

Lola Arias – Writer, Theatre and Film Director, Performer, Argentine
Theatre as a Remake of the Past

Chair: Josette Féral

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[/accordion]


28 FEBRUARY

ARENA DEL SOLE THEATRE

8:30 – 10:00
FOYER
Registration

PANELS

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[accordion-item title=”9:15 – 10:00″]

SALA DE BERARDINIS

DRAMATURGY AND STAGE-WRITING: THREE LECTURES
Anna Barsotti
Eracle di Euripide per Emma Dante: fra scrittura scenica e composizione
drammaturgica
Piermario Vescovo
Paradosso del perfomer
Lorenzo Mango
On Analyzing Dramaturgy in the Era of “Stage-Writing”

Chair: Daniele Vianello

 

SALA SALMON

CHALLENGING THE PERFORMANCE
Mauricio Quevedo Pinto
“Under the Surface”: Reading-Writing the Body in Performance whilst Seeing
under the Performer’s Skin
The Two Gullivers
Performography: The Creative Process of Performance Art through Preparatory
Drawing
Maria Grazia Turri
Attori Shakespeariani recitano la Commedia dell’Arte: scenario come spazio
transizionale.

Chair: Enrico Pitozzi

 

SALA ARCHI

THE SPECTATOR IN TIME
Agata Łuksza
Not only Applause: Creative Spectators in Late Nineteenth-Century Theatre
Elisabeth Viain
Vidéo, séries et théâtre contemporain: un nouveau moyen de séduire le public?
Carlo Fanelli
Vedere oltre lo sguardo. Il ruolo dello spettatore nel teatro del Rinascimento

Chair: Margherita Laera

 

SALA VETRI

ACTING TRADITIONS
Anna Sica
On “Ensemble”: The Norm of the Earliest Nineteenth-Century Italian Leading-
Manager Actor Directing
Raffaella Di Tizio
Vittorio Gassman come autore teatrale. Una pratica compositiva fra tradizione e
innovazione
Raimund Rosarius
Text-Trained Bodies at the Service of East and West?

Chair: Armando Petrini

 

SALA BIANCA

STAGE-WRITINGS FOR THE CITY
Mariagabriella Cambiaghi
Da un osservatorio particolare: modalità di scrittura per la scena a Milano tra Otto
e Novecento
Theresa Eisele
Stage-Writing Social Realities: Urban Types on the Nineteenth-Century Viennese
Stage and Beyond
Laura Peja
Composizioni sceniche tra arte e meticciato culturale: esempi di “performance
urbane”

Chair: Silvia Mei

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[accordion-item title=”10:30 – 11:00″]

COFFEE BREAK

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[accordion-item title=”11:00 – 12:00″]

SALA DE BERARDINIS / plenary session

Gabriele Vacis – Stage Director, Author and Founder of the Cooperativa Laboratorio Teatro Settimo, Italy
Drammaturgia dell’interazione – Dramaturgy of Interaction

Chair: Daniele Vianello

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[accordion-item title=”12:15 – 13:30″]

SALA DE BERARDINIS

DANCING, MUSEUMS AND CURATORIAL DRAMATURGY
Gaia Clotilde Chernetich
Chiara Bersani’s “Gentle Unicorn”: Updating Dialogue with the Audience, from
the Stage to Museum, and Back
Susanne Franco
Dancing in Museum Spaces and the Writing of Dance History
Alessandro Pontremoli
Per una drammaturgia curatoriale

Chair: Elena Randi

 

SALA SALMON

THE EVOLUTION OF THEATRICAL DIRECTION
Peter Boenisch
Regietheater between Representation and Situation
Duška Radosavljević
The Heterarchical Director: A Model of Authorship for the Twenty-First Century
Avra Sidiropoulou
Redefining the Director’s Role in a Theatre of Shifting Textualities

Chair: Clare Finburgh Delijani

 

SALA ARCHI

TEXTUAL AND VISUAL ELEMENTS FOR THE STAGE
Silvia De Min
Quando la didascalia calca la scena: effetti compositivi di un elemento testuale
che si fa personaggio
Ragnhild Gjefsen
How Does Verbal Language Communicate in Modern Theatre?
Ulf Otto
Archaeology of the Cue: on the Division of Light and the Organization of Energies

Chair: Piermario Vescovo

 

SALA VETRI

ALTERITY AND OTHERNESS IN THEATRE
Anke Charton
Performing Otherness: From Social Margins to Stage Practices
Stella Lange
Precarious Representations in Script and on Stage: Falk Richter’s Interrogations of
Europe
Vito Minoia
The innovative Concept of Theatres of Diversities

Chair: Agata Łuksza

 

SALA BIANCA

NEW DRAMATIC PATTERNS
Andrea Caruso
Writing through Images: The Scenic Typology of Cia. Finzi Pasca
Andy Lavender
Writing Experience: Textual Construction in Contemporary Multimodal
Performance
Maria Helena Werneck
Figurability Apparatus in the Scenic Writing of the Collective Theatre Group O
Bando

Chair: Edith Cassiers

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[accordion-item title=”13:30 – 14:30″]

LUNCH

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[accordion-item title=”14:30 – 16:00″]

SALA DE BERARDINIS / plenary session

ROUND TABLE
COMPOSING FOR THE STAGE: THEATRE ORGANIZERS’ PERSPECTIVES
Natalia Álvarez Simó – Co-director of the Centro Cultural Conde Duque, Spain
Vincent Baudriller – Director of théâtre de Vidy, Switzerland
Francesc Casadesus – Director of Grec Festival, Spain
Annemieke Keurentjes – Programming Director of Holland Festival, Netherlands
Savas Patsalidis – Director of Theater Festival Thessaloniki, Greece
György Szabó – Director of Trafò House of Contemporary Arts, Hungary

Chair: Matteo Casari

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[accordion-item title=”16:00 – 16:30″]

COFFEE BREAK

[/accordion-item]

 

[accordion-item title=”16:30 – 17:30″]

SALA DE BERARDINIS / plenary session

Virgilio SieniChoreographer and Dancer, Italy
Archeologia del gesto – The Archeology of the Gesture

Chair: Lorenzo Mango

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[accordion-item title=”17:30 – 19:00″]

SALA DE BERARDINIS / plenary session

EASTAP General Assembly

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29 FEBRUARY

DAMSLab

8:30 – 9:15
HALL
Registration

PANELS

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[accordion-item title=”9:15 – 10:30″]

AUDITORIUM

RECONFIGURING DRAMATURGIES OF AUTHENTICITY
Thomas Rosendal Nielsen
Emersive Dramaturgy
Erik Exe Christoffersen
Singularization
Annelis Kuhlmann
Collapsibility: Dramaturgical Consciousness as Social (Lack of) Consciousness

Chair: Aldo Milohnić

 

TEATRO

THE ACTOR’S CREATIONS AND BIOGRAPHY IN THEATRE DIRECTION
Lada Cale Feldman
The Stratified Actor: Eichmann in Jerusalem at the Zagreb Youth Theatre
Armando Petrini
Composizioni d’attore. Il caso dell’attore-regista: Carmelo Bene e Leo de
Berardinis
Beata Popczyk-Szczęsna
Creating for the Stage – New Biography

Chair: Raimondo Guarino

 

SALA SEMINARI

DANCE BETWEEN INTROSPECTION AND POSSESSION
Eliane Beaufils
Des mises en mouvement de l’écriture. Chétouane, Gehmacher, Marouda
Lindsey Drury
Staging “Pagan Dance” in the Early Twentieth-Century United States
Cláudia Marisa
Acts of Intimacy: Simulacrum and Belief in Contemporary Dance

Chair: Rossella Mazzaglia

 

SPAZIO CINEMA

“OLD MASTERS”: WRITING FOR THE STAGE, THINKING ABOUT THEATRE
DIRECTION
Julia Nawrot
Between Theory and Practice: Tadeusz Kantor’s Cricotages as New Spaces of
Representation
Fernando Matos Oliveira
Monodrama, Solo Performance, One-to-One Performance: Scenes of
Monological Reminiscence
Wenju Zhu
Samuel Beckett’s Revised Stage-Writing from the Intermedial Perspective of
Visual Arts

Chair: Laurens De Vos

 

HALL

THEATERS OF FIGURE
Cristina Grazioli
La Marionetta come Figura: un modello di composizione per il teatro d’attori
Laurette Burgholzer
(Se) jouer de la théorie? Haïkus gestuels et micro-drames dans le théâtre de
marionnettes contemporain
Francesca Di Fazio
Drammaturgie originali per il teatro di figura contemporaneo. Il lavoro di Gigio
Brunello e Gyula Molnàr

Chair: Roberta Ferraresi

 

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[accordion-item title=”10:30 – 11:00″]

COFFEE BREAK

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[accordion-item title=”11:00 – 12:00″]

AUDITORIUM / plenary session

Marta Cuscunà – Actor, Italy
Animatronica e componentistica industriale applicate alla scena – Animatronics and
Industrial Components Applied to the Stage

Chair: Clare Finburgh Delijani

 

[/accordion-item]

 

[accordion-item title=”12:15 – 13:30″]

AUDITORIUM

IMMERSIVE DRAMATURGIES
Ida Krøgholt
Dramaturgy of the Spectator: How the One-to-One Performance Garden Gave
Direction to the Spectator’s Sensations
Louise Ejgod Hansen
Immersed into a Capital of Culture: Rethinking Theatre in Aarhus 2017
Josefine Brink Siem
Putting yourself in the Space of Another: Towards an Atmospheric Approach to
Immersive Performances

Chair: Annelis Kuhlmann

 

TEATRO

BODY, IMAGINATION, MOVEMENT: OTHER WAYS OF WRITING
Guy Cools
Rewriting Distance: How to Make Writing Embodied and Performative
Ulla Kallenbach
Writing for the Imagination: Designing the Spectator’s Imaginative Performance
in the Drama Text
Rosa Lambert
When Text Becomes Movement: The Kinetic Quality of Writing

Chair: Giulia Taddeo

 

SALA SEMINARI

MUSICAL THEATRE
Magdalena Figzał-Janikowska
Seeing Sound: Music Performativity in the Theatre of Georges Aperghis, Niels
Rønsholdt and Wojtek Blecharz
Sebastian Stauss
Filling Gaps by Adjusting Opera for Younger Audiences
Alessandro Turba
Riscoprendo All’Italia, “unicum” teatrale di Sylvano Bussotti

Chair: Chloé Déchery

 

SPAZIO CINEMA

TRAUMA/CRISIS/GRIEF THROUGH THEATRE
Darija Davidovic
“Crossing the Line”, Highlighting “The Women’s Side of War” − Staging
Unfinished Pasts by Dah Teatar Belgrad
Senad Halilbašić
Staging Competing Histories – War (of) Memory in Contemporary Bosnian
Theatre
Ioanna Lioutsia
Contemporary Greek Theatre: How Crisis Spawned Drama

Chair: Patricia Gaborik

 

HALL

THE COLLECTIVE/COMMUNITY PLAY IN THEATRE
Marion Boudier
«La dramaturgie prospective». Accompagner l’écrivain de spectacle Joël
Pommerat
Magdalena Hasiuk
Le théâtre Węgajty – de l’épopée et de la création collective aux collages des
textes d’acteurs et le Devised Theatre
Marcela Moura
Les dynamiques complexes de la scène théâtrale de Joël Pommerat

Chair: Erica Magris

 

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HALL
LUNCH

A light lunch will be provided in the Hall of the DAMSLab

 

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[accordion-item title=”14:30 – 15:45″]

AUDITORIUM

EVOLUTIONARY TRAJECTORIES IN CONTEMPORARY DRAMATURGICAL
PRACTICES
Laurens De Vos
A Tale of Truth: Milo Rau’s Writing beyond Postmodernism
Roberta Ferraresi
Scritture “ready-made”. Pratiche drammaturgiche della scena contemporanea
Aldo Milohnić
On Rewriting Classic Plays in Contemporary Postdramatic Theatre

Chair: Luk Van den Dries

 

TEATRO

RETHINKING THE THEATRE
Silvia Mei
Metateatralità nella scena italiana contemporanea, ovvero sulla difficoltà di fare
(il proprio) teatro
Janek Szatkowski
Poietic Hierarchy as a Dramaturgical Tool in the Composition of Performance
Agata Tomšič
Il modello atlantico come paradigma compositivo contemporaneo

Chair: Giacomo Pedini

 

SALA SEMINARI

POSTDRAMATIC THEATRES
Luule Epner
Writing for Postdramatic Theatre: The Case of Estonia
Arianna Frattali
Da Genet alla Fortezza: un teatro postdrammatico
Dror Harari
Postdramatic Theatre as an Emergent Phenomenon – Viewed Through Marion’s
Philosophy of Excess

Chair: Fabrizio Deriu

 

SPAZIO CINEMA

THE POLITICAL DIMENSION TO THEATRE PRACTICE
Rui Pina Coelho
Attempts to Change the World in Tiago Rodrigues and Joana Craveiro’s
Rehearsal Room
Diana Damian Martin
Stat-ing the Body: Composition as Politics, Politics as Composition
Fabrizio Fiaschini
Il gesto teatrale come forma compositiva della scrittura politica

Chair: Sylvie Roques

 

HALL

FOR A REDISCOVERY OF ITALIAN THEATRE FROM THE FIRST HALF OF THE
TWENTIETH CENTURY
Patricia Gaborik
Stirring the Collective Passions: In Search of a Dramaturgy for the Fascist Masses
Laura Piazza
Contro Sire Le Mot. Achille Ricciardi régisseur e riformatore
Gabriele Sofia
Giovanni Grasso drammaturgo? Un esempio di pratiche di composizione del
teatro dialettale

Chair: Angelo Vassalli

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[accordion-item title=”15:45 – 16:15″]

COFFEE BREAK

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[accordion-item title=”16:15 – 17:30″]

AUDITORIUM

ARGOS PROJECT
Edith Cassiers, Luk Van den Dries, Chiara Guidi, Sophie Lucet, Antonia
Vasilakou, Avra Xepapadakou
Ob-serving Making Theatre: Towards a Methodology for the Observation of
Creative Processes

 

TEATRO

AT THE ROOTS OF THE COMPOSITIONAL PROCESSES
Raimondo Guarino
The Generation of Plays in Early-Modern Europe: Defining Drama between Books
and Stages
Isabella Molinari
Dal pennello alla scena. L’Accademia degli “Uniti” del Cavalier d’Arpino (1608):
pratiche e drammaturgia
Armando Rotondi
Aesthetics and National Identity: Mihail Pascaly’s Theories in First Romanian
Theatre

Chair: Franco Perrelli

 

SALA SEMINARI

AT THE BORDERS OF THEATRE: ESSAY AND LANDSCAPE
Jasper Delbecke
Revisiting the Scenic Essay
Stéphane Hervé
Un théâtre mélancolique. Les paysages au-delà de la scène
Tomaž Toporišič
Essay on Stage: The Artistic Practice Introducing a Germ into the Cultural Matrix

Chair: Knut Ove Arntsen

 

SPAZIO CINEMA

THEATRICAL, LINGUISTIC, FORMAL MIXTURES
Laura Budriesi
Il “teatro vissuto” di Gisèle Vienne in Jerk (2008-2018)
Lorenzo Donati
Oggetti teatrali non identificati: verso un nuovo modello drammatico?
Monica Garavello
Quando teatro e cinema convivono sulla scena: due spettacoli a confronto

Chair: Anna Barsotti

 

HALL

FEMALE SINGULARITY BETWEEN ORGANIZATION AND CREATION
Małgorzata Budzowska
Postdramatic Composition of a Stage Script in the Production of “The Bacchae”
by Maja Kleczewska
Selene D’Agostino
Transit Festival An International Women’s Theatre Festival: Towards a Composite
Dramaturgy
Simona Scattina
Il postmodernismo ‘intenso’ di Emma Dante

Chair: Stefania Lodi Rizzini

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[accordion-item title=”17:45 – 18:45″]

AUDITORIUM / plenary session

Marco Martinelli – Founder, Playwright and Director of the Teatro delle Albe, Italy
Ai margini: l’irriducibile forza dell’evento teatrale – On the Edge: The Irreducible
Strength of the Theatrical Event

Chair: Gerardo Guccini

 

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[/accordion]

 


1 MARCH

DAMSLab

8:30 – 9:15
HALL
Registration

PANELS

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[accordion-item title=”9:15 – 10:30″]

AUDITORIUM

THEATRICAL INTERACTIONS IN POSTDRAMATIC TIME
Knut Ove Arntzen
The Ressurected Theatre Machine: A Postdramatic Paradox
Davide Cioffrese
Ontroerend Goed: Dramaturging the Performance of the Unsettling
Fiona Graham
Performing Dramaturgy: The Interventions of the Dramaturge in Performance
Development

Chair: Timmy De Laet

 

TEATRO

COMMUNITY SHAPES OF THEATRE
Rūta Mažeikienė
From Personal Stories to Collective Narratives: Stage-Writing in Community
Theatre
Annamaria Sapienza
La scena flessibile: spazio e relazione nel teatro comunitario
Fabrizio Deriu
“M2“di Dynamis Teatro. Un intervento pratico-critico sulla percezione dello spazio
umano

Chair: Josette Féral

 

SALA SEMINARI

WRITING AND “DOCUMENTING” DANCE
Annamaria Corea
Il gioco delle fonti e le regole della composizione. Il caso del ballo
“shakespeariano” fra Sette e Ottocento
Concetta Lo Iacono
La mise en scène della “Muette de Portici“. Un livret tra teatro musica e danza
Samantha Marenzi
Composizione visiva. La fotografia di danza tra documento e creazione artistica

Chair: Elena Cervellati

 

SPAZIO CINEMA

EMBEDDING WORLDS
Sylvie Roques
“Du Tour du monde“ (1874) aux propositions contemporaines: métamorphose
des pratiques scéniques
Victor Thimonier
Fictions encyclopédiques sur les scènes contemporaines
Gaia Vimercati
“Hunger for Presence”: nuove prospettive sui linguaggi della corporeità nel circo
contemporaneo

Chair: Cristina Grazioli

 

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AUDITORIUM / plenary session

Tue Biering – Theater-maker, Denmark
You are all Hostages of Me: Reclaiming Stage-Writing to Counter Stereotypes

Artist talk presented by the Department of Dramaturgy, Aarhus University, on the occasion of its 60-year
jubilee 1959-2019.

Chair: Annelis Kuhlmann

 

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AUDITORIUM / plenary session

OBSERVATOIRE CRITIQUE: Work Presentation

Curator: Erica Magris

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AUDITORIUM

ROUND TABLE
CLOSING SESSION
Among speakers:
Josette Féral – EASTAP President
Daniele Vianello – EASTAP Vice-President
Claudio Longhi – Emilia Romagna Teatro Fondazione Artistic Director
Gerardo Guccini – La Soffitta Scientific Coordinator

 

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YOUNG SCHOLARS’ FORUM

ARENA DEL SOLE THEATRE, FOYER 1st FLOOR
Curators: Jeroen Coppens and Stefania Lodi Rizzini

27 FEBRUARY

POSTER PRESENTATION, 1st SESSION
Contemporary Dramaturgies & Intermedial Perspectives

Ricardo Coreia
Theatre of the Real
Silvia Dimitru
Postdramatic Theatre and Deconstruction: An Anti-mimetic Approach to Contemporary Dramaturgy
Antonio Figueiredo Marques
Moving People: Intermediality and Presence
Swan Lichy
Performativity as a Language of Sense-making for Cultural Service in Local Museum
Eleonora Marzani
Cross-breeding Practices for Creating for the Stage
Raquel Rodrigues Madeira
The Choreographic between Stage and Navigable Network Space
Gaia Vimercati
Hunger for Presence: New Perspectives on the Notions of Body and Corporeal Presence in Contemporary Circus
Rezvan Zandieh
Injured Body and Bloody Body of the Artist. History, Concept and Aesthetic
Xuang Xiao
Screendance. Geographies and Aesthetics of an Art in Motion

28 FEBRUARY

POSTER PRESENTATION, 2nd SESSION
Contemporary Practices and their Histories

Ai-Cheng Ho
Application of Taiji Quan in Actor’s Training
Bojana Jankovic
Right to Be Unknown: Construction of Eastern European Identities in the Work of Uk-based Immigrants Artists
Nadia Moroz Luciani
The Performativity of Light as a Link between the Stage and the Spectator
Alexander Millington
An Examination of the Representation of Physical Acts of Intimacy and Sexual Behaviour
in Contemporary British Theatre from 2001 to 2017
Diana Pacurar
Semiotics
Laura Pernice
The Scenic Reinvention of the Brilliant Friend: Storia di un’amicizia by Fanny & Alexander
Maria Chiara Provenzano
The Archive of Koreja Theatre in Lecce
Gjefsen Ragnhild
A Theatrical Language
Tessa Vannieuwenhuyze
Staging the Self: The Contemporary Performance Practice of Musical Persona on and beyond
the Actual and Virtual Stage


MASTERCLASSES

24 February

10:00 – 14:00

MODENA, THEATER SCHOOL

Masterclass with Daria Deflorian – Actor, Author and Director
Scrittura di scena e drammaturgia d’attore
Stage-Writing and Actor’s Dramaturgy

Curator: Daniele Vianello

27 February

14:30 – 18:30

BOLOGNA, LIBRARY ARCHIGINNASIO: STABAT MATER ROOM

Masterclass with FC Bergman – Theater Company
About Creating: The Kitchen of FC Bergman
Sulla creazione: La cucina degli FC Bergman

Curator: Sergio Lo Gatto

28 February

9:30 – 13:30

BOLOGNA, ORATORIO SAN FILIPPO NERI

Masterclass with David Marton – Theater Director and Musician
Via Gluck

Curator: Sergio Lo Gatto

14:30 – 18:30

BOLOGNA, THEATER OF MOLINE

Masterclass with Saverio La Ruina – Actor, Author and Theater Director
Il corpo del racconto:
Come “scrivo” e interpreto i miei testi
The Body of the Story:
How I “Write” and Interpret my Texts

Curator: Daniele Vianello

29 February

09:30  – 13:30

MODENA, THEATER SCHOOL

Masterclass with Aglaia Pappas – Actor
La violenza della voce
The Violence of the Voice

Curator: Sergio Lo Gatto

14.30-18.30

MODENA, THEATER SCHOOL

Masterclass with Veronica Melis – Actor
La Qualità di Presenza. Tra Corpo, Spazio e Immaginario
The Quality of Presence: Between Body, Space and Imagery

Curator: Sergio Lo Gatto

10:00 -1 6:00

CESENA, PALAZZO DEL CAPITANO

Masterclass with Matthew Lenton – Founder and Artistic Director of
Vanishing Point
Metamorphosis

Curator: Claudio Longhi