Antonio Araujo (University of San Paolo)
Christopher Balme (Ludwig-Maximilians-Universität München)
Maria João Brilhante (University of Lisbon)
Chloé Déchery (Université de Paris 8)
Josette Féral (University of Quebec / University of Sorbonne Nouvelle Paris 3)
Clare Finburgh Delijani (Goldsmiths, University of London)
Gerardo Guccini (Alma Mater Studiorum University of Bologna)
Stefan Hulfeld (University of Vienna)
Lorenzo Mango (University of Naples)
Aldo Milohnić (University of Ljubljana)
Elena Randi (University of Padua)
Anneli Saro (University of Tartu)
Diana Taylor (New York University)
Gabriele Vacis (Cattolica University of Milan)
Piermario Vescovo (“Ca’ Foscari” University of Venezia)
8:30 – 10:00
FOYER
Registration and Welcome Coffee
10:00 – 11-00
SALA DE BERARDINIS
OPENING SESSION
Matteo Lepore – Councilor for Culture Chiara Elefante – Vice Rector for Human Resources, Alma Mater Studiorum – University of Bologna Giacomo Manzoli – Head of Department of the Arts, Alma Mater Studiorum – University of Bologna Josette Féral – EASTAP President Daniele Vianello – EASTAP Vice-President Claudio Longhi – Emilia Romagna Teatro Fondazione Artistic Director Gerardo Guccini – La Soffitta Scientific Coordinator Lorenzo Mango – CUT (Consulta Universitaria del Teatro) President
11:00 – 12:00
SALA DE BERARDINIS / plenary session
EASTAP Award Ceremony: Rustom Bharucha – Theater Director and Dramaturg,
India
Chair: Josette Féral
12:00 – 13:00
SALA DE BERARDINIS / plenary session FC Bergman – TheatreCompany and Associate Artists of the III EASTAP Conference, Belgium
The Poetic of Vision
Chair: Claudio Longhi
13:00 – 13:30
SALA DE BERARDINIS / plenary session
Presentation of Young Scholars’ Forum
13:30 – 14:45
FOYER
Lunch
A light lunch will be provided in the theatre foyer
PANELS
14:45 - 16:00
SALA DE BERARDINIS
EXPERIENCES OF DOCUMENTARY THEATRE
• Pierre Katuszewski
Des théâtres documentés: écritures et pratiques, jeu, réception et traces
• Erica Magris
«Teatri nomadi»: forme teatrali documentarie e processi compositivi
transnazionali
• Varvara Sklez
Performing Memories of The Distant Past: Between Practice and Research
Chair: Gerardo Guccini
SALA SALMON
ROUND TABLE
CREATING A JOURNAL: THE ROLE OF THE EUROPEAN JOURNAL OF THEATRE AND PERFORMANCE WITHIN AND BEYOND EASTAP Josette Féral – Publishing Director Agata Łuksza and Luk Van den Dries – Editors-in-Chief Sophie Lucet – Co-editor Essays Section issue 2 Timmy De Laet – Managing Editor Lorenzo Mango, Aldo Milohnić and Daniele Vianello – Editorial Board Members
SALA ARCHI
PRESENTATION OF PON-METRO PROJECT It Shall Be So! The City We Want: Social Inclusion through Theatre in the National
Operational Programme on Metropolitan Cities 2014-2020 Veronica Ceruti – Municipality of Bologna Luca Gadler – Emilia Romagna Teatro Fondazione Stefania Paolazzi – Urban Innovation Foundation It Shall Be So! The City We Want, a project by the Municipality of Bologna, produced by Emilia Romagna Teatro Fondazione, funded by the European Union – European Social Fund, in the context of the National Operational Programme on Metropolitan Cities 2014-2020
SALA VETRI
TEXTUALITY PRACTICES BEYOND THE THEATRICAL SPACE
• Chloé Déchery Ce que la conférence fait à la performance: un état des lieux sur la conférence performée, essai d’écriture scénique hybride
• Doriana Legge “La messa in ascolto”: forme e pratiche della scrittura teatrale per la radio
• Marta Marchetti Il lettore in gioco. “The Quiet Volume” di Tim Etchells e Ant Hampton
Chair: Martynas Petrikas
SALA BIANCA
THE THEATRE OF ROBOTS
• Matteo Casari Il nō dei robot: l’artificio e l’empatia
• Izabella Pluta Lorsqu’un robot raconte une histoire. Texte et programmation dans “La Vallée de l’étrange” de Stefan Kaegi
• Cinzia Toscano Riflessioni e pratiche: la multiforme varietà del teatro dei robot
Chair: Gabriele Sofia
16:00 - 16:30
COFFEE BREAK
16:30 - 17:45
SALA DE BERARDINIS
PARTICIPATORY PARADIGMS
• Giacomo Pedini “Eppur si move”: Stage-Writings for spectators or with players?
• Maria de Lourdes Rabetti The Dramaturg’s Mediation from Stage to City: cariocas experiments
• Carmen Pedullà The Role of the Spectator in Participatory Theatre: A Proposal for a Theoretical Model
Chair: Lorenzo Mango
SALA SALMON
THINKING DANCE
• Elena Cervellati Testi da e per la danza. Pratica e teoria nel Manifesto 1992. Danza come arte contemporanea.
• Timmy De Laet The Textuality of Dance: From Movement to Document toward Historiography
• Giulia Taddeo The Age of Anxiety? Choreographing Youthfulness at the Time of the Italian “Economic Miracle”
Chair: Susanne Franco
SALA ARCHI
THE TWENTIETH CENTURY AND BEYOND: INVESTIGATION INTO ITALIAN
DRAMATURGY
• Roberta Carpani La committenza e la composizione del testo nel XXI secolo: tre performances di Laura Curino sulla storia industriale italiana
• Paolo Pizzimento La “Divina Commedia” dal testo alla pratica scenica: l’esperienza del “Cantiere Dante”
• Dario Tomasello “Micro-società”, “Intra-teatralità”, “Nuovo terzo mondo”: dinamiche creative nella drammaturgia italiana novecentesca
Chair: Martina Sottana
SALA VETRI
• Rosa Branca Figueiredo Creating for the Stage: How Translation Functions in Trans-porting Meaning across Cultures/Languages
• Maddalena Giovannelli Un autore in sala prove: il traduttore
• Margherita Laera Babel as Utopia? Practicing Multilingualism in the European Rehearsal Room
Chair: Andy Lavender
SALA BIANCA
HYBRID FORMS OF STAGE CREATION
• Shintaro Fujii Spectacle japonais contemporain à l’heure de la «reprise» et du «reenactment»
• Véronique Perruchon and Nadia Moroz Luciani Les concepts de Théâtralité et Performativité de la lumière dans le théâtre contemporain européen et brésilien
• Filippo Romanello Theatrical Composition beyond Representation
Curators: Jeroen Coppens and Stefania Lodi Rizzini
18:00 - 19:00
SALA DE BERARDINIS / plenary session
Lola Arias – Writer, Theatre and Film Director, Performer, Argentine Theatre as a Remake of the Past
Chair: Josette Féral
28 FEBRUARY
ARENA DEL SOLE THEATRE
8:30 – 10:00
FOYER
Registration
PANELS
9:15 - 10:00
SALA DE BERARDINIS
DRAMATURGY AND STAGE-WRITING: THREE LECTURES
• Anna Barsotti Eracle di Euripide per Emma Dante: fra scrittura scenica e composizione drammaturgica
• Piermario Vescovo Paradosso del perfomer
• Lorenzo Mango On Analyzing Dramaturgy in the Era of “Stage-Writing”
Chair: Daniele Vianello
SALA SALMON
CHALLENGING THE PERFORMANCE
• Mauricio Quevedo Pinto “Under the Surface”: Reading-Writing the Body in Performance whilst Seeing under the Performer’s Skin
• The Two Gullivers Performography: The Creative Process of Performance Art through Preparatory Drawing
• Maria Grazia Turri Attori Shakespeariani recitano la Commedia dell’Arte: scenario come spazio transizionale.
Chair: Enrico Pitozzi
SALA ARCHI
THE SPECTATOR IN TIME
• Agata Łuksza Not only Applause: Creative Spectators in Late Nineteenth-Century Theatre
• Elisabeth Viain Vidéo, séries et théâtre contemporain: un nouveau moyen de séduire le public?
• Carlo Fanelli Vedere oltre lo sguardo. Il ruolo dello spettatore nel teatro del Rinascimento
Chair: Margherita Laera
SALA VETRI
ACTING TRADITIONS
• Anna Sica On “Ensemble”: The Norm of the Earliest Nineteenth-Century Italian Leading- Manager Actor Directing
• Raffaella Di Tizio Vittorio Gassman come autore teatrale. Una pratica compositiva fra tradizione e innovazione
• Raimund Rosarius Text-Trained Bodies at the Service of East and West?
Chair: Armando Petrini
SALA BIANCA
STAGE-WRITINGS FOR THE CITY
• Mariagabriella Cambiaghi Da un osservatorio particolare: modalità di scrittura per la scena a Milano tra Otto e Novecento
• Theresa Eisele Stage-Writing Social Realities: Urban Types on the Nineteenth-Century Viennese Stage and Beyond
• Laura Peja Composizioni sceniche tra arte e meticciato culturale: esempi di “performance urbane”
Chair: Silvia Mei
10:30 - 11:00
COFFEE BREAK
11:00 - 12:00
SALA DE BERARDINIS / plenary session
Gabriele Vacis – Stage Director, Author and Founder of the Cooperativa Laboratorio Teatro Settimo, Italy
Drammaturgia dell’interazione – Dramaturgy of Interaction
Chair: Daniele Vianello
12:15 - 13:30
SALA DE BERARDINIS
DANCING, MUSEUMS AND CURATORIAL DRAMATURGY
• Gaia Clotilde Chernetich Chiara Bersani’s “Gentle Unicorn”: Updating Dialogue with the Audience, from the Stage to Museum, and Back
• Susanne Franco Dancing in Museum Spaces and the Writing of Dance History
• Alessandro Pontremoli Per una drammaturgia curatoriale
Chair: Elena Randi
SALA SALMON
THE EVOLUTION OF THEATRICAL DIRECTION
• Peter Boenisch Regietheater between Representation and Situation
• Duška Radosavljević The Heterarchical Director: A Model of Authorship for the Twenty-First Century
• Avra Sidiropoulou Redefining the Director’s Role in a Theatre of Shifting Textualities
Chair: Clare Finburgh Delijani
SALA ARCHI
TEXTUAL AND VISUAL ELEMENTS FOR THE STAGE
• Silvia De Min Quando la didascalia calca la scena: effetti compositivi di un elemento testuale che si fa personaggio
• Ragnhild Gjefsen How Does Verbal Language Communicate in Modern Theatre?
• Ulf Otto Archaeology of the Cue: on the Division of Light and the Organization of Energies
Chair: Piermario Vescovo
SALA VETRI
ALTERITY AND OTHERNESS IN THEATRE
• Anke Charton Performing Otherness: From Social Margins to Stage Practices
• Stella Lange Precarious Representations in Script and on Stage: Falk Richter’s Interrogations of Europe
• Vito Minoia The innovative Concept of Theatres of Diversities
Chair: Agata Łuksza
SALA BIANCA
NEW DRAMATIC PATTERNS
• Andrea Caruso Writing through Images: The Scenic Typology of Cia. Finzi Pasca
• Andy Lavender Writing Experience: Textual Construction in Contemporary Multimodal Performance
• Maria Helena Werneck Figurability Apparatus in the Scenic Writing of the Collective Theatre Group O Bando
Chair: Edith Cassiers
13:30 - 14:30
LUNCH
14:30 - 16:00
SALA DE BERARDINIS / plenary session
ROUND TABLE
COMPOSING FOR THE STAGE: THEATRE ORGANIZERS’ PERSPECTIVES Natalia Álvarez Simó – Co-director of the Centro Cultural Conde Duque, Spain Vincent Baudriller – Director of théâtre de Vidy, Switzerland Francesc Casadesus – Director of Grec Festival, Spain Annemieke Keurentjes – Programming Director of Holland Festival, Netherlands Savas Patsalidis – Director of Theater Festival Thessaloniki, Greece György Szabó – Director of Trafò House of Contemporary Arts, Hungary
Chair: Matteo Casari
16:00 - 16:30
COFFEE BREAK
16:30 - 17:30
SALA DE BERARDINIS / plenary session
Virgilio Sieni – Choreographer and Dancer, Italy Archeologia del gesto – The Archeology of the Gesture
Chair: Lorenzo Mango
17:30 - 19:00
SALA DE BERARDINIS / plenary session
EASTAP General Assembly
29 FEBRUARY
DAMSLab
8:30 – 9:15
HALL
Registration
PANELS
9:15 - 10:30
AUDITORIUM
RECONFIGURING DRAMATURGIES OF AUTHENTICITY
• Thomas Rosendal Nielsen Emersive Dramaturgy
• Erik Exe Christoffersen Singularization
• Annelis Kuhlmann Collapsibility: Dramaturgical Consciousness as Social (Lack of) Consciousness
Chair: Aldo Milohnić
TEATRO
THE ACTOR’S CREATIONS AND BIOGRAPHY IN THEATRE DIRECTION
• Lada Cale Feldman The Stratified Actor: Eichmann in Jerusalem at the Zagreb Youth Theatre
• Armando Petrini Composizioni d’attore. Il caso dell’attore-regista: Carmelo Bene e Leo de Berardinis
• Beata Popczyk-Szczęsna Creating for the Stage – New Biography
Chair: Raimondo Guarino
SALA SEMINARI
DANCE BETWEEN INTROSPECTION AND POSSESSION
• Eliane Beaufils Des mises en mouvement de l’écriture. Chétouane, Gehmacher, Marouda
• Lindsey Drury Staging “Pagan Dance” in the Early Twentieth-Century United States
• Cláudia Marisa Acts of Intimacy: Simulacrum and Belief in Contemporary Dance
Chair: Rossella Mazzaglia
SPAZIO CINEMA
“OLD MASTERS”: WRITING FOR THE STAGE, THINKING ABOUT THEATRE
DIRECTION
• Julia Nawrot Between Theory and Practice: Tadeusz Kantor’s Cricotages as New Spaces of Representation
• Fernando Matos Oliveira Monodrama, Solo Performance, One-to-One Performance: Scenes of Monological Reminiscence
• Wenju Zhu Samuel Beckett’s Revised Stage-Writing from the Intermedial Perspective of Visual Arts
Chair: Laurens De Vos
HALL
THEATERS OF FIGURE
• Cristina Grazioli La Marionetta come Figura: un modello di composizione per il teatro d’attori
• Laurette Burgholzer (Se) jouer de la théorie? Haïkus gestuels et micro-drames dans le théâtre de marionnettes contemporain
• Francesca Di Fazio Drammaturgie originali per il teatro di figura contemporaneo. Il lavoro di Gigio Brunello e Gyula Molnàr
Chair: Roberta Ferraresi
10:30 - 11:00
COFFEE BREAK
11:00 - 12:00
AUDITORIUM / plenary session
Marta Cuscunà – Actor, Italy
Animatronica e componentistica industriale applicate alla scena – Animatronics and
Industrial Components Applied to the Stage
Chair: Clare Finburgh Delijani
12:15 - 13:30
AUDITORIUM
IMMERSIVE DRAMATURGIES
• Ida Krøgholt Dramaturgy of the Spectator: How the One-to-One Performance Garden Gave Direction to the Spectator’s Sensations
• Louise Ejgod Hansen Immersed into a Capital of Culture: Rethinking Theatre in Aarhus 2017
• Josefine Brink Siem Putting yourself in the Space of Another: Towards an Atmospheric Approach to Immersive Performances
Chair: Annelis Kuhlmann
TEATRO
BODY, IMAGINATION, MOVEMENT: OTHER WAYS OF WRITING
• Guy Cools Rewriting Distance: How to Make Writing Embodied and Performative
• Ulla Kallenbach Writing for the Imagination: Designing the Spectator’s Imaginative Performance in the Drama Text
• Rosa Lambert When Text Becomes Movement: The Kinetic Quality of Writing
Chair: Giulia Taddeo
SALA SEMINARI
MUSICAL THEATRE
• Magdalena Figzał-Janikowska Seeing Sound: Music Performativity in the Theatre of Georges Aperghis, Niels Rønsholdt and Wojtek Blecharz
• Sebastian Stauss Filling Gaps by Adjusting Opera for Younger Audiences
• Alessandro Turba Riscoprendo All’Italia, “unicum” teatrale di Sylvano Bussotti
Chair: Chloé Déchery
SPAZIO CINEMA
TRAUMA/CRISIS/GRIEF THROUGH THEATRE
• Darija Davidovic “Crossing the Line”, Highlighting “The Women’s Side of War” − Staging Unfinished Pasts by Dah Teatar Belgrad
• Senad Halilbašić Staging Competing Histories – War (of) Memory in Contemporary Bosnian Theatre
• Ioanna Lioutsia Contemporary Greek Theatre: How Crisis Spawned Drama
Chair: Patricia Gaborik
HALL
THE COLLECTIVE/COMMUNITY PLAY IN THEATRE
• Marion Boudier
«La dramaturgie prospective». Accompagner l’écrivain de spectacle Joël
Pommerat
• Magdalena Hasiuk
Le théâtre Węgajty – de l’épopée et de la création collective aux collages des
textes d’acteurs et le Devised Theatre
• Marcela Moura
Les dynamiques complexes de la scène théâtrale de Joël Pommerat
Chair: Erica Magris
13:30 - 14:30
HALL
LUNCH
A light lunch will be provided in the Hall of the DAMSLab
14:30 - 15:45
AUDITORIUM
EVOLUTIONARY TRAJECTORIES IN CONTEMPORARY DRAMATURGICAL
PRACTICES
• Laurens De Vos A Tale of Truth: Milo Rau’s Writing beyond Postmodernism
• Roberta Ferraresi Scritture “ready-made”. Pratiche drammaturgiche della scena contemporanea
• Aldo Milohnić On Rewriting Classic Plays in Contemporary Postdramatic Theatre
Chair: Luk Van den Dries
TEATRO
RETHINKING THE THEATRE
• Silvia Mei Metateatralità nella scena italiana contemporanea, ovvero sulla difficoltà di fare (il proprio) teatro
• Janek Szatkowski Poietic Hierarchy as a Dramaturgical Tool in the Composition of Performance
• Agata Tomšič Il modello atlantico come paradigma compositivo contemporaneo
Chair: Giacomo Pedini
SALA SEMINARI
POSTDRAMATIC THEATRES
• Luule Epner Writing for Postdramatic Theatre: The Case of Estonia
• Arianna Frattali Da Genet alla Fortezza: un teatro postdrammatico
• Dror Harari Postdramatic Theatre as an Emergent Phenomenon – Viewed Through Marion’s Philosophy of Excess
Chair: Fabrizio Deriu
SPAZIO CINEMA
THE POLITICAL DIMENSION TO THEATRE PRACTICE
• Rui Pina Coelho Attempts to Change the World in Tiago Rodrigues and Joana Craveiro’s Rehearsal Room
• Diana Damian Martin Stat-ing the Body: Composition as Politics, Politics as Composition
• Fabrizio Fiaschini Il gesto teatrale come forma compositiva della scrittura politica
Chair: Sylvie Roques
HALL
FOR A REDISCOVERY OF ITALIAN THEATRE FROM THE FIRST HALF OF THE
TWENTIETH CENTURY
• Patricia Gaborik Stirring the Collective Passions: In Search of a Dramaturgy for the Fascist Masses
• Laura Piazza Contro Sire Le Mot. Achille Ricciardi régisseur e riformatore
• Gabriele Sofia Giovanni Grasso drammaturgo? Un esempio di pratiche di composizione del teatro dialettale
Chair: Angelo Vassalli
15:45 - 16:15
COFFEE BREAK
16:15 - 17:30
AUDITORIUM
ARGOS PROJECT
• Edith Cassiers, Luk Van den Dries, Chiara Guidi, Sophie Lucet, Antonia Vasilakou, Avra Xepapadakou Ob-serving Making Theatre: Towards a Methodology for the Observation of Creative Processes
TEATRO
AT THE ROOTS OF THE COMPOSITIONAL PROCESSES
• Raimondo Guarino The Generation of Plays in Early-Modern Europe: Defining Drama between Books and Stages
• Isabella Molinari Dal pennello alla scena. L’Accademia degli “Uniti” del Cavalier d’Arpino (1608): pratiche e drammaturgia
• Armando Rotondi Aesthetics and National Identity: Mihail Pascaly’s Theories in First Romanian Theatre
Chair: Franco Perrelli
SALA SEMINARI
AT THE BORDERS OF THEATRE: ESSAY AND LANDSCAPE
• Jasper Delbecke Revisiting the Scenic Essay
• Stéphane Hervé Un théâtre mélancolique. Les paysages au-delà de la scène
• Tomaž Toporišič Essay on Stage: The Artistic Practice Introducing a Germ into the Cultural Matrix
Chair: Knut Ove Arntsen
SPAZIO CINEMA
THEATRICAL, LINGUISTIC, FORMAL MIXTURES
• Laura Budriesi Il “teatro vissuto” di Gisèle Vienne in Jerk (2008-2018)
• Lorenzo Donati Oggetti teatrali non identificati: verso un nuovo modello drammatico?
• Monica Garavello Quando teatro e cinema convivono sulla scena: due spettacoli a confronto
Chair: Anna Barsotti
HALL
FEMALE SINGULARITY BETWEEN ORGANIZATION AND CREATION
• Małgorzata Budzowska Postdramatic Composition of a Stage Script in the Production of “The Bacchae” by Maja Kleczewska
• Selene D’Agostino Transit Festival An International Women’s Theatre Festival: Towards a Composite Dramaturgy
• Simona Scattina Il postmodernismo ‘intenso’ di Emma Dante
Chair: Stefania Lodi Rizzini
17:45 - 18:45
AUDITORIUM / plenary session
Marco Martinelli – Founder, Playwright and Director of the Teatro delle Albe, Italy
Ai margini: l’irriducibile forza dell’evento teatrale – On the Edge: The Irreducible
Strength of the Theatrical Event
Chair: Gerardo Guccini
1 MARCH
DAMSLab
8:30 – 9:15
HALL
Registration
PANELS
9:15 - 10:30
AUDITORIUM
THEATRICAL INTERACTIONS IN POSTDRAMATIC TIME
• Knut Ove Arntzen The Ressurected Theatre Machine: A Postdramatic Paradox
• Davide Cioffrese Ontroerend Goed: Dramaturging the Performance of the Unsettling
• Fiona Graham Performing Dramaturgy: The Interventions of the Dramaturge in Performance Development
Chair: Timmy De Laet
TEATRO
COMMUNITY SHAPES OF THEATRE
• Rūta Mažeikienė From Personal Stories to Collective Narratives: Stage-Writing in Community Theatre
• Annamaria Sapienza La scena flessibile: spazio e relazione nel teatro comunitario
• Fabrizio Deriu “M2“di Dynamis Teatro. Un intervento pratico-critico sulla percezione dello spazio umano
Chair: Josette Féral
SALA SEMINARI
WRITING AND “DOCUMENTING” DANCE
• Annamaria Corea Il gioco delle fonti e le regole della composizione. Il caso del ballo “shakespeariano” fra Sette e Ottocento
• Concetta Lo Iacono La mise en scène della “Muette de Portici“. Un livret tra teatro musica e danza
• Samantha Marenzi Composizione visiva. La fotografia di danza tra documento e creazione artistica
Chair: Elena Cervellati
SPAZIO CINEMA
EMBEDDING WORLDS
• Sylvie Roques “Du Tour du monde“ (1874) aux propositions contemporaines: métamorphose des pratiques scéniques
• Victor Thimonier Fictions encyclopédiques sur les scènes contemporaines
• Gaia Vimercati “Hunger for Presence”: nuove prospettive sui linguaggi della corporeità nel circo contemporaneo
Chair: Cristina Grazioli
11:00 - 12:00
AUDITORIUM / plenary session
Tue Biering – Theater-maker, Denmark You are all Hostages of Me: Reclaiming Stage-Writing to Counter Stereotypes
Artist talk presented by the Department of Dramaturgy, Aarhus University, on the occasion of its 60-year jubilee 1959-2019.
Chair: Annelis Kuhlmann
12:00 - 12:30
AUDITORIUM / plenary session
OBSERVATOIRE CRITIQUE: Work Presentation
Curator: Erica Magris
12:30 - 14:00
AUDITORIUM
ROUND TABLE
CLOSING SESSION
Among speakers: Josette Féral – EASTAP President Daniele Vianello – EASTAP Vice-President Claudio Longhi – Emilia Romagna Teatro Fondazione Artistic Director Gerardo Guccini – La Soffitta Scientific Coordinator
YOUNG SCHOLARS’ FORUM
ARENA DEL SOLE THEATRE, FOYER 1st FLOOR
Curators: Jeroen Coppens and Stefania Lodi Rizzini
Ricardo Coreia Theatre of the Real Silvia Dimitru Postdramatic Theatre and Deconstruction: An Anti-mimetic Approach to Contemporary Dramaturgy Antonio Figueiredo Marques Moving People: Intermediality and Presence Swan Lichy Performativity as a Language of Sense-making for Cultural Service in Local Museum Eleonora Marzani Cross-breeding Practices for Creating for the Stage Raquel Rodrigues Madeira The Choreographic between Stage and Navigable Network Space Gaia Vimercati Hunger for Presence: New Perspectives on the Notions of Body and Corporeal Presence in Contemporary Circus Rezvan Zandieh Injured Body and Bloody Body of the Artist. History, Concept and Aesthetic Xuang Xiao Screendance. Geographies and Aesthetics of an Art in Motion
28 FEBRUARY
POSTER PRESENTATION, 2nd SESSION Contemporary Practices and their Histories
Ai-Cheng Ho Application of Taiji Quan in Actor’s Training Bojana Jankovic Right to Be Unknown: Construction of Eastern European Identities in the Work of Uk-based Immigrants Artists Nadia Moroz Luciani The Performativity of Light as a Link between the Stage and the Spectator Alexander Millington An Examination of the Representation of Physical Acts of Intimacy and Sexual Behaviour in Contemporary British Theatre from 2001 to 2017 Diana Pacurar Semiotics Laura Pernice The Scenic Reinvention of the Brilliant Friend: Storia di un’amicizia by Fanny & Alexander Maria Chiara Provenzano The Archive of Koreja Theatre in Lecce Gjefsen Ragnhild A Theatrical Language Tessa Vannieuwenhuyze Staging the Self: The Contemporary Performance Practice of Musical Persona on and beyond the Actual and Virtual Stage
MASTERCLASSES
24 February
10:00 – 14:00
MODENA, THEATER SCHOOL
Masterclass with Daria Deflorian – Actor, Author and Director Scrittura di scena e drammaturgia d’attore Stage-Writing and Actor’s Dramaturgy
Curator: Daniele Vianello
27 February
14:30 – 18:30
BOLOGNA, LIBRARY ARCHIGINNASIO: STABAT MATER ROOM
Masterclass with FC Bergman – Theater Company About Creating: The Kitchen of FC Bergman Sulla creazione: La cucina degli FC Bergman
Curator: Sergio Lo Gatto
28 February
9:30 – 13:30
BOLOGNA, ORATORIO SAN FILIPPO NERI
Masterclass with David Marton – Theater Director and Musician Via Gluck
Curator: Sergio Lo Gatto
14:30 – 18:30
BOLOGNA, THEATER OF MOLINE
Masterclass with Saverio La Ruina – Actor, Author and Theater Director Il corpo del racconto: Come “scrivo” e interpreto i miei testi The Body of the Story: How I “Write” and Interpret my Texts
Curator: Daniele Vianello
29 February
09:30 – 13:30
MODENA, THEATER SCHOOL
Masterclass with Aglaia Pappas – Actor La violenza della voce The Violence of the Voice
Curator: Sergio Lo Gatto
14.30-18.30
MODENA, THEATER SCHOOL
Masterclass with Veronica Melis – Actor La Qualità di Presenza. Tra Corpo, Spazio e Immaginario The Quality of Presence: Between Body, Space and Imagery
Curator: Sergio Lo Gatto
10:00 -1 6:00
CESENA, PALAZZO DEL CAPITANO
Masterclass with Matthew Lenton – Founder and Artistic Director of Vanishing Point Metamorphosis
